Heroes and villains: the festival largely made good on its promise to show socially relevant works from independent and early ...

If Blake Edwards’s expertly made but jejune 1962 thriller is any indication, times were simpler in early-Sixties San Francisco. When criminal Ross Martin involves prim teller Lee Remick in his plan to ...

1. Bring Me the Head of Alfredo Garcia Sam Peckinpah, 1974 2. Claire’s Knee Eric Rohmer, 1970 3. Faces John Cassavetes, 1968 4. Eyes Without a Face Georges Franju, 1960 5. Eyes Wide Shut Stanley ...

Here today: a new festival defiantly reclaims a lost history, bringing contemporary and classic Cambodian cinema to a local ...

Tom Hanks’s confident demeanor is as daunting as Mt. Rushmore and just as effective in discouraging speculation about who those men really are. In his office at Walt Disney Studios in Burbank, ...

All change at Locarno? Well, yes and no. While festival president Marco Solari announced plans to expand the festival, the appointment of Locarno insider Carlo Chatrian as artistic director, following ...

World War II films tend to reflect the immensity of the conflict in the scale of the production. On a fraction of the usual budget, Canopy adopts a more modest, arty approach to the war, following a ...

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On the final Saturday of the Cannes Film Festival—a day of repeat screenings of Competition films that culminates with the awards ceremony—I woke up in my apartment to no lights, no Wi-Fi, no AC. I ...

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Early on a frigid Valentine’s morning in some desolate village within the Ontario hinterland, talk radio DJ Grant Mazzy (Stephen McHattie) is assailed by an unidentified woman while driving to work.

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