From its insidious opening clarinet solo, Richard Strauss’s “Salome” is a creepy, unsettling piece of theater, its story rooted in unhealthy sexual obsession. For his new production at the ...

Across the centuries, the story of Salome has been staged, scored, adapted, pushed and pulled in a welter of ways, always finding new ways to shock. On Sunday, the curtain went up on Richard Strauss’s ...

Staged in deepest black and dingy white, Guth’s production is unapologetic in its symbolism. It opens on a girl playing with a doll in relative silence. She breaks off its arms moments before that ...

Performances in N.Y.C. Advertisement Supported by Critic’s Pick In his company debut, the director Claus Guth takes a psychological approach, surrounding the title character with six versions of her ...

Performances in N.Y.C. The renowned German director Claus Guth is staging Strauss’s breakthrough opera with a focus on themes of trauma and abuse. The director Claus Guth is making his Metropolitan ...

The Royal Opera House in Covent Garden opened its fourth revival of David McVicar’s famous 2008 production of the Richard Strauss opera “Salome” one day after the death of the Queen of England in 2022 ...

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