Stop by our cafés or join us for lunch, dinner, afternoon tea or cocktails at our stunning restaurant, Ochre.

Katrina Palmer shares her interest in the visible and invisible activities that take place in the Gallery. Katrina Palmer offers a different perspective on Room 18 and its paintings. Struck by an ...

'The Finding of Moses’ depicts an Old Testament story. This monumental painting was commissioned by King Charles I and Henrietta Maria to celebrate the arrival of their first son. Two kings, of ...

Of the Gallery’s 27 works by women, one-third have been acquired because of these acts of generosity. Most recently, The Full ...

The landscape on the left is in the manner of Jan Wijnants. No. 1383 is painted in the meticulous technique of Vermeer’s late years. It has been dated by both MacLaren and Blankert 6 to c. 1670.

These catalogue entries are the result of a pilot project to set up a process that takes the desktop publishing files that were sent to press, converts them to a more flexible digital format, and ...

These catalogue entries are the result of a pilot project to set up a process that takes the desktop publishing files that were sent to press, converts them to a more flexible digital format, and ...

Image: Pierre Auguste Renoir, ‘Portrait of Claude Monet’, Musée d’Orsay, Paris © RMN (Musée d'Orsay) / Jean-Gilles Berizzi Monet was the leading French ...

Individuals and small groups (of up to four people) are welcome to join these 60-minute taster tours of the collection. If you are interested in booking a private guided tour for your group, you can ...

Johannes Vermeer is one of the great Dutch masters, though only about 35 paintings by him are known. Born in Delft in 1632, he may have been a pupil of local history painter Leonaert Bramer. Vermeer ...

Following recent incidents within the Gallery it is now necessary to introduce increased security measures to ensure the safety of all who visit, National Gallery staff and the nation’s collection of ...

The National Gallery Technical Bulletin, first published in 1977, has achieved a leading position in the study of the materials and techniques of painting, and the scientific examination of paintings.