Director François Ozon, better known for lighter soufflés, takes on a demanding piece of literature and serves it well, with absorbing pools of isolation and detachment.

Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable task: turning a brief, philosophical novel into a cinematic experience.

Pope Leo XIV’s trip to Africa is so dizzying in its complexity it recalls some of the early globetrotting odysseys of St.

These are 13 of the many films we're excited to see at the Minneapolis-St. Paul International Film Festival, which runs from ...

For Oumar Seck, his family and his team, futbol is not just a sport; it's about bringing people together. As Lawrence ...

CALIFORNIA SCHEMIN’ (15) 101mins  ★★★★☆ SHOWBIZ is a fickle world. If your face doesn’t fit, you can be out in the cold. But ...

WHEN the Nobel committee awarded the 1957 prize to Albert Camus it was, it said, for: “Important literary production, which ...

The Cannes Film Festival unveiled its roster of films for this year's edition on Thursday packed with historical dramas, ...

Well-known on the Orlando arts scene, Terry Olson appears in a new documentary at the Florida Film Festival, courtesy of a ...

James McAvoy’s sly, funny and poignant directorial debut is a tale of music industry hypocrisy, writes Alistair Harkness ...

Albert Camus’ The Stranger has already defeated one film master. Even François Ozon wasn’t sure he could make it work.

This Interview was slihtly edited by the interviewe for clarity.  There’s a real intensity to French actor Benjamin Voisin—a ...