By Lynn VenhausWill it be “The Pitt” or “Pluribus”? “DTF St. Louis” or “Beef”? “Hacks or Widow’s Bay”? The 78th Annual Emmy Awards are on Monday on NBC starting at 7 p.m. Mariska Hargitay will be the ...
The St. Louis Shakespeare Festival announcedtodayits line-up for their 26th Season of free Shakespeare with THE TEMPESTas the mainstage production in Forest Park. Directed by the Festival’s former ...
A masterpiece of experiential filmmaking that mines palm-sweating anticipation from what’s lurking around the next corner, director Kane Parsons’ “Backrooms” is an ambiguous yet utterly engrossing ...
It’s hard to say who had a better time at “Shrek the Musical” – the parents or the children, often green-clad and gleefully giggling at the daffy antics. The Muny’s annual family favorite ‘Kids Show’ ...
It’s hard to say who had a better time at “Shrek the Musical” – the parents or the children, often green-clad and gleefully giggling at the daffy antics. The Muny’s annual family favorite ‘Kids Show’ ...
At its best when fully leaning into uninhibited mayhem, director Sam Raimi’s “Send Help” is a knowingly loony, if broad, satire elevated by Dylan O’Brien and a deviously crazed Rachel McAdams. We ...
A guy, clad in pajama pants and sitting in a wheelchair, utters those words. That’s the start of “Wakey Wakey,” a clever, insightful rumination on the humanity that connects us all. Written by ...
Brilliantly charting the relationship between locomotive innovation and humanity’s darkest instincts, Polish director Maciej J. Drygas’s “Trains” weaves together hypnotically-edited archival footage ...
It’s hard to say who had a better time at “Shrek the Musical” – the parents or the children, often green-clad and gleefully giggling at the daffy antics. The Muny’s annual family favorite ‘Kids Show’ ...
With extra oomph in every song and dance number, Stages St. Louis delivers a festive confection in “Guys and Dolls.” The snazzily attired ensemble looks like they’ve walked out of an idyllic vintage ...
Bringing together remarkable talent for an underbaked summer spectacle that trades nuance for naiveté, director Steven Spielberg’s “Disclosure Day” is neither compelling enough as popcorn ...
Gaetano Donizetti’s “L’elisir d’amore” (“The Elixir of Love”) has delighted audiences for nearly two centuries. Union Avenue Opera’s current production, directed by Jon Truitt, captures the qualities ...
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